I guess I will formally say that my weekly coverage of new 30 Rock episodes ends (it actually ended 3 months ago). Reasons being because:
1) Pregnant Cornbread does a much better job.
2) It's kind of a pain.
3) The new NBC application is stupid now.
4) I think I might get in trouble if I keep doing it.
Anyways, I'm making a comeback by posting an article written by Alec Baldwin, on Tina Fey. She's made TIME's 2009 list of Most Influential People. Not sure how they can put out the list for 2009, but it doesn't matter because they made the right call here!
Tina Fey by Alec Baldwin
Showing posts with label Tina Fey. Show all posts
Showing posts with label Tina Fey. Show all posts
Saturday, May 2, 2009
Wednesday, December 24, 2008
Sunday, December 7, 2008
Tina Fey Article in Vanity Fair
Tina Fey's Cover Story in Vanity Fair
The Story Behind Tina Fey's Scar Revealed:
Liz Lemon favors her right side. That’s because a faint scar runs across Tina Fey’s left cheek, the result of a violent cutting attack by a stranger when Fey was five. Her husband says, “It was in, like, the front yard of her house, and somebody who just came up, and she just thought somebody marked her with a pen.” You can hardly see the scar in person. But I agree with Richmond that it makes Fey more lovely, like a hint of Marlene Dietrich noir glamour in a Preston Sturges heroine.
“That scar was fascinating to me,” Richmond recalls. “This is somebody who, no matter what it was, has gone through something. And I think it really informs the way she thinks about her life. When you have that kind of thing happen to you, that makes you scared of certain things, that makes you frightened of different things, your comedy comes out in a different kind of way, and it also makes you feel for people.”
The Story Behind Tina Fey's Scar Revealed:
Liz Lemon favors her right side. That’s because a faint scar runs across Tina Fey’s left cheek, the result of a violent cutting attack by a stranger when Fey was five. Her husband says, “It was in, like, the front yard of her house, and somebody who just came up, and she just thought somebody marked her with a pen.” You can hardly see the scar in person. But I agree with Richmond that it makes Fey more lovely, like a hint of Marlene Dietrich noir glamour in a Preston Sturges heroine.
“That scar was fascinating to me,” Richmond recalls. “This is somebody who, no matter what it was, has gone through something. And I think it really informs the way she thinks about her life. When you have that kind of thing happen to you, that makes you scared of certain things, that makes you frightened of different things, your comedy comes out in a different kind of way, and it also makes you feel for people.”
Saturday, November 1, 2008
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